Shraddha Kapoor and Aditya Roy Kapoor don't burn the screen with passion but there's a pleasant sense to their togetherness, feels Sukanya Verma.
Guess who ruled the box office in 2016?
'No matter how casually his characters treat sex or bare every inch of their extraordinarily fit bodies, Aditya Chopra is too much of a romantic to pull off flippancy as the face of love,' feels Sukanya Verma.
Trade estimates pegged the Hindi version collection at Rs 210 million -- a commendable performance for a dubbed film.
The Good, the Bad and the Ugly at the movies!
The hits and misses of the week.
Humpty Sharma Ki Dulhaniya is the kinda film Simran (of Dilwale Dulhaniya Le Jayenge) would have loved, says Raja Sen.
As much as its protagonists look for perfect words to articulate their findings on love, friendship, a space in between and beyond, Ae Dil Hai Mushkil simply reiterates the nature of its unpredictability through a twist Sukanya Verma did not foresee or like.
Box Office: Vishwaroop II is a disaster
'Today, 25 years later, Raja Hindustani is as much a Dharmesh Darshan film as it is Aamir Khan and Karisma Kapoor's 'different' love story.'
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
10 Ways Bollywood has kidnapped in the movies.
The narrative seems to go absolutely nowhere from start to finish, says S Saraswathi.
It's a riveting film, writes Raja Sen.
Madras Cafe is a swift, smart and serious study of an inglorious chapter of history, writes Sukanya Verma.
Starting from a chartbuster song despite its below-the-belt essence and ending with a forgettable number, Bhaag Johnny demonstrates quite some range, says Aelina Kapoor.
Taapsee Pannu talks about how director Lawrence Raghava convinced her to be a part of Kanchana 2.
El-Sisi welcomed Modi, who is on a two-day state visit to Egypt, at the Presidential Palace where the two leaders were closeted for one-on-one meeting after which the two sides signed a memorandum of understandng.
Looking at Aamir Khan's top money-making movies at the box office.
Sukanya Verma lists significant memories in our 1996 recap.
One Night Stand isn't yet another tawdry skin-flick; it actually has something to say, feels, Raja Sen.
'Oh what a beauty Akshay's performance is. Old-school gallantry, contemporary tone, his measured delivery is the soul of and savoir in Airlift,' says Sukanya Verma.
'I have been hearing this for the last four generations, that this is the last generation of superstars.' 'We will not leave it for the younger generation to take it easily.' 'We will not hand it over to them.'
How many of the 354 films Aseem Chhabra watched in 2017 have you seen?
Watching Raabta possibly can't be anyone's idea of entertainment in this birth or last, feels Sukanya Verma.
The comic punches in Dishkiyaoon are too few and far between, plot twists make little sense and are saddled with glaring loopholes, writes Nishi Tiwari.
Pixels could very well be the most unremarkable Hollywood film of the year, says Paloma Sharma.
Ishk Actually is one of the drabbest films I've seen all year.
'There is never a safe choice in the movie business.' 'Everything is chance.'
The well-reviewed film crosses Rs 300 crore revenue mark.
'Raazi is being hailed for breaking the glass ceiling for Daughters of Bollywood Inc,' says Sunil Sethi.
Dum Laga Ke Haisha is a series of riveting moments that make you moist in the eye and chuckle with joy, says Sukanya Verma.
Karan Johar keeps his hit run intact with Student of the Year 2.
Vidya Balan's Kahaani was a huge hit so much was expected of the remake. Unfortunately, Nee Enge En Anbe is not in the same league.
The latest updates from the Malayalam film industry.
Filmistaan has a strong plot and well-developed characters, says Paloma Sharma.
